Through her work, she hopes people can see, touch, and feel colors, using their senses. “The overflowing effects of colors in space will show that colors can give more than a space, but a space with additional layers of human emotion,” she explains.

Moureaux’s use of color is unique, treating colors as three-dimensional elements, much like layers, that create and divide spaces, rather than finishing touches applied on surfaces later on.

Her unique approach was inspired by a week-long trip she made to Tokyo as an architectural student, which according to her gave her “the passion for colors.” “It was the flow of staggering colors pervading the street that built a complex depth and density, creating three-dimensional layers in the city of Tokyo,” she writes. “I felt a lot of emotions seeing all these colors, and in that very moment, I decided to move to this city.”

Now based in Tokyo, Moureaux’s architectural designs are based on the layers and colors of Tokyo that provide a complex depth and density, as well as the Japanese traditional spatial elements like sliding screens. She calls this approach “shikiri,” a word that literally means “to divide space using colors.”

The post This Architecture Has a Passion for Color appeared first on TettyBetty.

But of course, his detailed illustrations are much more than architectural exaggeration. Made using only a pen, his canvases vary between paper, wood, and metal, with his techniques acquired through trial and error. The result is a fascinating exploration of the many ways space is organized. Sometimes disorienting, other times claustrophobic, his art invites you to step inside his endless maze.

Originally from Portugal, and now based in Barcelona, Mourão’s clients include Apple, The New Yorker, and The Washington Post. “Probably the hardest thing to figure out for me was to learn to deal with mistakes,” he says. “Being a perfectionist is a curse in disguise because it’s very easy to get lost in an endless loop of do-undo and never get to the end of a piece. That’s why I decide to work on a medium where I can’t erase or undo. With pen and paper, there’s no backdoor.”

It also means he has to be 100 percent focused when working on his illustrations. Take a look for yourself.

The post Distort, Exaggerate, and Repeat: Vasco Mourão’s Architectural Experiments appeared first on TettyBetty.

Inspired by built form, as well as nature, his art is cerates as a way for Tulay to investigate the ambiguity of space. Coming from a background in architecture, this ambiguity intrigues him greatly. “As an architect, I meticulously create drawings to reveal and describe a building’s design and construction,” he writes on his website. “In my art studio, I am able to break from all these conventions and push the gravitational and spatial boundaries of these spaces I imagine.”

Light, or what looks like atmosphere or fog, is engaged in either defining space or dematerializing the landscape or architectural elements depicted in his artwork. This treatment of light, combined with an unclear relationship of the viewer’s place in relation to the ground plane, creates a spatial disconnect with an ambiguity of depth and motion.

Take a closer look.

The post The Ambiguity of Space: Scott Tulay’s Unsettling Drawings appeared first on TettyBetty.

Now based in Australia, her work itself revolves around paper, using sometimes a large sheet of paper which she layers inwards, and other times a tiny piece of paper which she works outwards. But most often than not it’s a combination of both – inwards and outwards layering – depending on what the design needs. This technique is sometimes regarded by Cheng as “paper weaving”.

“I often regard the style as a topographic technique, as they really do resemble the natural layers of our environment,” she explained in an interview with Strictly Paper. “The idea of layering became more apparent when I started to draw with my penknife,” she added. This process includes cutting and layering one layer after another, “no drawn plans, no guide, just the knife, paper, and glue.”

Enjoy her work in the gallery below.

The post Jacky Cheng is at a Crossroads Between Paper Art and Paper Architecture appeared first on TettyBetty.

Well, only for his Instagram profile, because these are only concepts, not real projects. But just imagine living in such a dream house!

“He selects the ambiance as accurately and fairly as possible to insert his constructions in a variety of contemporary shapes and materials,” according to Fubiz. “A rectangular glass house in the middle of a fir forest, an asymmetrical building on the edge of a snow-covered lake… The whole is peaceful and beautiful! Nature and architecture are simply just one…”

Scroll down and check out Alexander’s work below.

The post Amazing Houses, in the Middle of Nowhere appeared first on TettyBetty.

He always brings his sketchbook with him, ready to create beautiful designs that portray people, places, buildings, animals and everyday objects. Check out his latest drawings below.

The post Artist Sketches His Point of View on the World appeared first on TettyBetty.

Dinara Kasko from Ukraine creates these masterpieces using the skills she required while she was working as an architect. She bakes with the help of math, algorithms, and complex diagrams. Check out how it looks below.

The post This is What Happens When Architectural Designer Starts Baking Desserts appeared first on TettyBetty.

Through her work, she hopes people can see, touch, and feel colors, using their senses. “The overflowing effects of colors in space will show that colors can give more than a space, but a space with additional layers of human emotion,” she explains.

Moureaux’s use of color is unique, treating colors as three-dimensional elements, much like layers, that create and divide spaces, rather than finishing touches applied on surfaces later on.

Her unique approach was inspired by a week-long trip she made to Tokyo as an architectural student, which according to her gave her “the passion for colors.” “It was the flow of staggering colors pervading the street that built a complex depth and density, creating three-dimensional layers in the city of Tokyo,” she writes. “I felt a lot of emotions seeing all these colors, and in that very moment, I decided to move to this city.”

Now based in Tokyo, Moureaux’s architectural designs are based on the layers and colors of Tokyo that provide a complex depth and density, as well as the Japanese traditional spatial elements like sliding screens. She calls this approach “shikiri,” a word that literally means “to divide space using colors.”

The post This Architecture Has a Passion for Color appeared first on TettyBetty.

But of course, his detailed illustrations are much more than architectural exaggeration. Made using only a pen, his canvases vary between paper, wood, and metal, with his techniques acquired through trial and error. The result is a fascinating exploration of the many ways space is organized. Sometimes disorienting, other times claustrophobic, his art invites you to step inside his endless maze.

Originally from Portugal, and now based in Barcelona, Mourão’s clients include Apple, The New Yorker, and The Washington Post. “Probably the hardest thing to figure out for me was to learn to deal with mistakes,” he says. “Being a perfectionist is a curse in disguise because it’s very easy to get lost in an endless loop of do-undo and never get to the end of a piece. That’s why I decide to work on a medium where I can’t erase or undo. With pen and paper, there’s no backdoor.”

It also means he has to be 100 percent focused when working on his illustrations. Take a look for yourself.

The post Distort, Exaggerate, and Repeat: Vasco Mourão’s Architectural Experiments appeared first on TettyBetty.

Inspired by built form, as well as nature, his art is cerates as a way for Tulay to investigate the ambiguity of space. Coming from a background in architecture, this ambiguity intrigues him greatly. “As an architect, I meticulously create drawings to reveal and describe a building’s design and construction,” he writes on his website. “In my art studio, I am able to break from all these conventions and push the gravitational and spatial boundaries of these spaces I imagine.”

Light, or what looks like atmosphere or fog, is engaged in either defining space or dematerializing the landscape or architectural elements depicted in his artwork. This treatment of light, combined with an unclear relationship of the viewer’s place in relation to the ground plane, creates a spatial disconnect with an ambiguity of depth and motion.

Take a closer look.

The post The Ambiguity of Space: Scott Tulay’s Unsettling Drawings appeared first on TettyBetty.

Now based in Australia, her work itself revolves around paper, using sometimes a large sheet of paper which she layers inwards, and other times a tiny piece of paper which she works outwards. But most often than not it’s a combination of both – inwards and outwards layering – depending on what the design needs. This technique is sometimes regarded by Cheng as “paper weaving”.

“I often regard the style as a topographic technique, as they really do resemble the natural layers of our environment,” she explained in an interview with Strictly Paper. “The idea of layering became more apparent when I started to draw with my penknife,” she added. This process includes cutting and layering one layer after another, “no drawn plans, no guide, just the knife, paper, and glue.”

Enjoy her work in the gallery below.

The post Jacky Cheng is at a Crossroads Between Paper Art and Paper Architecture appeared first on TettyBetty.

Well, only for his Instagram profile, because these are only concepts, not real projects. But just imagine living in such a dream house!

“He selects the ambiance as accurately and fairly as possible to insert his constructions in a variety of contemporary shapes and materials,” according to Fubiz. “A rectangular glass house in the middle of a fir forest, an asymmetrical building on the edge of a snow-covered lake… The whole is peaceful and beautiful! Nature and architecture are simply just one…”

Scroll down and check out Alexander’s work below.

The post Amazing Houses, in the Middle of Nowhere appeared first on TettyBetty.

He always brings his sketchbook with him, ready to create beautiful designs that portray people, places, buildings, animals and everyday objects. Check out his latest drawings below.

The post Artist Sketches His Point of View on the World appeared first on TettyBetty.

Dinara Kasko from Ukraine creates these masterpieces using the skills she required while she was working as an architect. She bakes with the help of math, algorithms, and complex diagrams. Check out how it looks below.

The post This is What Happens When Architectural Designer Starts Baking Desserts appeared first on TettyBetty.