The post These Oil Paintings of Patterns are Actually Portraits appeared first on TettyBetty.
]]>An impressive thing about Wagstaff’s paintings is that he manages to project the portraits inside his paintings without ever breaking the pattern. Instead, he achieves the effect by using a slightly different shade or adding outlines.
In order to notice the portrait inside the pattern, the viewers need to put in some effort. This includes either observing the artwork from a distance or squinting.
“A recurring theme in my work is pattern, I am drawn to patterns that predict and perhaps defy cosmic order. When I make art I think about whether it is still possible to make images and objects that embody ideas of faith, beauty and truth,” Wagstaff explains in his artist statement.
Wagstaff received his formal education from the Royal College of Art in London, UK, and Kyoto City University of Arts in Kyoto, Japan. His pieces have been displayed in venues around the world, with some being part of a permanent collection at London’s Victoria & Albert Museum. They are also extremely collectible and can be found in private collections, including the one belonging to late music legend David Bowie.
Continue scrolling to check out more of Wagstaff’s artworks below.
The post These Oil Paintings of Patterns are Actually Portraits appeared first on TettyBetty.
]]>The post Charis Tsevis’s Mosaic Portraits are Stunning appeared first on TettyBetty.
]]>Tsevis fell in love with Africa at first sight. He enjoyed learning about different cultures there and loved nature, animals, people, and the history he encountered, especially the houses.
“People used bricks and any kind of material they could find to build a home, a nest, a shelter. I have seen so much courage and so much creativity in all these houses. For me, these are the celebration of life. An incredible puzzle, an amazing mosaic of symbols, messages, and feelings. It was a no-brainer to use this idea for my personal art,” he tells My Modern Met.
Among the portraits from the recent series is the writer Amanda Gorman, whose portrait is called And Still I Rise after the famous poem by Maya Angelou, and reggae artist Keznamidi.
Check out Tsevis’s recent work below and find more on his Instagram page with over 13k followers. To learn more about his past and future project, visit his website.
The post Charis Tsevis’s Mosaic Portraits are Stunning appeared first on TettyBetty.
]]>The post The Classical Portraits of Daniel J. Yeomans appeared first on TettyBetty.
]]>“Working from life enables spontaneous brushwork,” said Yeomans in an interview with Jackson’s Art. “Each brushstroke, the color, the direction, the thickness of the paint is all a response to something happening in front of me. If all this becomes still (in a photo) I lose all these variable qualities in my work that make it my own.”
As well as specializing in portraiture, Yeomans spends much of his time traveling and painting plein air works. Some of which hang in collections throughout Europe, Asia, and the US. “Primarily I create art for everyone to enjoy in a public exhibition, so that is where most of my energy is spent,” he explains. “Commissions are equally important to living as an artist and just as exciting to paint but naturally you can’t seek them out so you should be happy to paint for yourself to start with.”
According to Yeomans, painting for himself allows him to expand his boundaries and try new things. “Sometimes they fail and sometimes they work out, but I use the experience for future projects.”
The post The Classical Portraits of Daniel J. Yeomans appeared first on TettyBetty.
]]>The post Zulf Draws Portraits Look Like They’re Being Hit by Light appeared first on TettyBetty.
]]>“I take my time to find what I feel is the perfect reference for what I need. Sometimes, it can take me hours just to find one. Each piece I create can take me anywhere between 1 to 60 hours depending on details, although I try to keep it minimal as possible,” the artist told in an interview for Bored Panda.
He also revealed that he loved art since he can remember, and he was even part of a graffiti crew when he was younger. However, he got into the pencil-work on winter days when was too cold and dark to spraypaint outside.
“So I started to draw portraits indoors, practicing for around three hours every night after work. I started creating back in the summer of 2013 after not doing any art for 20 years. My passion for drawing and painting keeps forever evolving and that’s what keeps me going,” he said.
To see his mysterious creations, just keep on scrolling!
The post Zulf Draws Portraits Look Like They’re Being Hit by Light appeared first on TettyBetty.
]]>The post Helena Pallarés Sits at a Crossroads Between Collage Art and Illustration appeared first on TettyBetty.
]]>Born in Spain and currently based in Paris, Pallarés borrows techniques from collage art, when composing her illustrations. Using paper cuttings from vintage magazines mixed with pencil drawings and digital finishing touches, the finished product is a hybrid between traditional and contemporary art.
This unique hybrid was born out of trial and error, says Pallarés. “In the beginning I didn’t know what I really wanted to do,” she admitted in an interview with Talenthouse. “So, most of the works that I did at that time were clumsy compositions mixing photo and oil painting.” Jump forward some years later, and her artwork is now featured in international magazines and showcased in exhibitions and art fairs.
According to Pallarés, her work is very much inspired by surrealist art, as well as the Dada movement. “I found Dadaism and Surrealism when I was studying graphic design at the university and somehow that changed my life,” she says. “I was blown away by how Dada artists used the composition, the typography, and the color. It just matched perfectly my way to understand the aesthetic of design and I suddenly found the answer for many questions about the meaning of contemporary art.”
The post Helena Pallarés Sits at a Crossroads Between Collage Art and Illustration appeared first on TettyBetty.
]]>The post These Paintings are Mind-Boggling appeared first on TettyBetty.
]]>“I’m sure you can learn a ton from art school,” she relayed in an interview with Jung Katz, “but it depends on what you want to take from art, and where you want to go with it that should determine whether or not it’s for you. For me, I couldn’t imagine being ‘taught’ art. It’s one of the only free things in this world and I’ve personally gained so much from having the artistic process be 100% my own journey, untainted from outside influence.”
But with both her parents being artists, you could argue that she didn’t have much of a choice. “Art is life,” she puts it, simply. “Art is my breath, my escape, my happy place. Art is my own safe haven in a hectic world. It’s where I go to hide from it all, and is also where I go to enjoy it all.”
Judging by her massive online following (that includes more than 345k fans on Instagram), other people are enjoying her paintings just as well. She has also won several awards for it, and her work is kept in both private and public collections worldwide including the MET’s publication collection. It’s also exhibited worldwide, in galleries and museums.
The post These Paintings are Mind-Boggling appeared first on TettyBetty.
]]>The post Looking For the Perfect Gift? Why Not Commission a Portrait appeared first on TettyBetty.
]]>“I set up About Face Illustration when my daughter was about five months old,” she recalled in an interview with the Printed blog. “Sadly, I didn’t know much about marketing at the time, but I was on Instagram and I was following some other mums. One day, I noticed that one of the mums I followed was looking for an illustrator to paint her and her son, so I volunteered.”
That first illustration proved to be the very beginning of her brand. “Two months later it basically became my full-time job- and 3 years and 500 portraits later, here I am,” says Kwietniewska. Her portraits provide the perfect gifts and mementos for occasions such as weddings, birthdays, and other happy celebrations.
But when it comes to inspiration, Kwietniewska needs only look inside. “Most of my work comes from within really,” she says. “But I am easily inspired, I recently went to the BP Portrait Awards and I all I wanted to do was go home and paint. I also love literature. I adore Nabokov’s Lolita, which I had the pleasure to paint recently. Also, I paint quite a lot from my experience.”
The post Looking For the Perfect Gift? Why Not Commission a Portrait appeared first on TettyBetty.
]]>The post The Uncanny Portraits of Martine Johanna appeared first on TettyBetty.
]]>One feature that makes her paintings stand out is her unique choice of color. Her subjects (mostly women) have a certain sheen to them and they look as though they’re actually glowing from inside. This unique glow also adds a layer of uncanniness to her paintings, making her subjects both familiar and unfamiliar.
“Most of the characters are not airbrush perfect or standard but the color palette makes you feel that they are perfect, so any dark circles under the eyes or intense expressions do not feel negative,” Johanna explained in an interview with The HYDE Magazine.
“I don’t want them to fall flat or be just pretty,” she went on to say. “I want life in them and experiences because that is what makes people interesting, But whatever the viewer feels I feel is completely up to them, although a lot of people feel a connection to these paintings and see something of themselves in them. And it is women and men that feel that connection.”
According to Johanna, her paintings have an emotional quality to them, based on dreams, personal experiences, and personality conflicts between the authentic self, taught mannerism and projected morality. “The work is mostly autobiographic, so a lot of it deals with childhood memories, fascinations and that whole zone between being a kid and growing up and all the emotional turmoil that comes with it,” she notes.
The post The Uncanny Portraits of Martine Johanna appeared first on TettyBetty.
]]>The post Following the Curve of the Road: Ed Fairburn’s Portraits appeared first on TettyBetty.
]]>Employing traditional tools such as ink or pencil, Fairburn intervenes with a range of original maps, spending hours at a time to complete each piece. A lengthy study of each map takes place beforehand, to understand better the landscape at hand.
The choice of maps in and of itself is significant. “I like a map that’s easy to fold away, but I don’t let that influence my choice,” Fairburn explained in an interview with yatzer. “I’ll either source my maps from charity shops or old book shops – we have lots of both here in the UK,” he added. “If I’m working on a specific commission I’ll usually source a map on the internet to make the most suitable choice, in terms of the location.”
When considering a map to work on, he looks at the patterns, orientation, and other characteristics, preferring the more “cluttered” maps, which according to him offer the most scope. In order to appreciate his work, it’s best to view it from afar. Take a step back.
The post Following the Curve of the Road: Ed Fairburn’s Portraits appeared first on TettyBetty.
]]>The post Wangari Mathenge’s Portraits Make a Statement appeared first on TettyBetty.
]]>Like most artists, Mathenge’s creative passion sparked early on, and she first experienced painting in primary school, when her parents enrolled her into an after-school art class. “This was my first experience painting,” she told Art of Choice. “Even though we were outdoors, we painted unobserved landscapes, which generally took the form of rolling hills. Cityscapes and imagined village scenes with huts and market stalls were popular.”
But when she came of age, she never even considered becoming an artist, and as she moved to the US for college she enrolled in Howard University and Georgetown University Law Center, Washington, D.C, studying International Business and Law.
“From childhood, I had been guided to consider as a suitable venture a career in commerce, medicine, engineering or law,” she says. “Working as an artist was never on the table.” But living independently and removed from her family and formative culture gave her the space to look inwards. “Art was a tool that I used to find a connection with space.”
She hasn’t looked back since.
The post Wangari Mathenge’s Portraits Make a Statement appeared first on TettyBetty.
]]>The post These Oil Paintings of Patterns are Actually Portraits appeared first on TettyBetty.
]]>An impressive thing about Wagstaff’s paintings is that he manages to project the portraits inside his paintings without ever breaking the pattern. Instead, he achieves the effect by using a slightly different shade or adding outlines.
In order to notice the portrait inside the pattern, the viewers need to put in some effort. This includes either observing the artwork from a distance or squinting.
“A recurring theme in my work is pattern, I am drawn to patterns that predict and perhaps defy cosmic order. When I make art I think about whether it is still possible to make images and objects that embody ideas of faith, beauty and truth,” Wagstaff explains in his artist statement.
Wagstaff received his formal education from the Royal College of Art in London, UK, and Kyoto City University of Arts in Kyoto, Japan. His pieces have been displayed in venues around the world, with some being part of a permanent collection at London’s Victoria & Albert Museum. They are also extremely collectible and can be found in private collections, including the one belonging to late music legend David Bowie.
Continue scrolling to check out more of Wagstaff’s artworks below.
The post These Oil Paintings of Patterns are Actually Portraits appeared first on TettyBetty.
]]>The post Charis Tsevis’s Mosaic Portraits are Stunning appeared first on TettyBetty.
]]>Tsevis fell in love with Africa at first sight. He enjoyed learning about different cultures there and loved nature, animals, people, and the history he encountered, especially the houses.
“People used bricks and any kind of material they could find to build a home, a nest, a shelter. I have seen so much courage and so much creativity in all these houses. For me, these are the celebration of life. An incredible puzzle, an amazing mosaic of symbols, messages, and feelings. It was a no-brainer to use this idea for my personal art,” he tells My Modern Met.
Among the portraits from the recent series is the writer Amanda Gorman, whose portrait is called And Still I Rise after the famous poem by Maya Angelou, and reggae artist Keznamidi.
Check out Tsevis’s recent work below and find more on his Instagram page with over 13k followers. To learn more about his past and future project, visit his website.
The post Charis Tsevis’s Mosaic Portraits are Stunning appeared first on TettyBetty.
]]>The post The Classical Portraits of Daniel J. Yeomans appeared first on TettyBetty.
]]>“Working from life enables spontaneous brushwork,” said Yeomans in an interview with Jackson’s Art. “Each brushstroke, the color, the direction, the thickness of the paint is all a response to something happening in front of me. If all this becomes still (in a photo) I lose all these variable qualities in my work that make it my own.”
As well as specializing in portraiture, Yeomans spends much of his time traveling and painting plein air works. Some of which hang in collections throughout Europe, Asia, and the US. “Primarily I create art for everyone to enjoy in a public exhibition, so that is where most of my energy is spent,” he explains. “Commissions are equally important to living as an artist and just as exciting to paint but naturally you can’t seek them out so you should be happy to paint for yourself to start with.”
According to Yeomans, painting for himself allows him to expand his boundaries and try new things. “Sometimes they fail and sometimes they work out, but I use the experience for future projects.”
The post The Classical Portraits of Daniel J. Yeomans appeared first on TettyBetty.
]]>The post Zulf Draws Portraits Look Like They’re Being Hit by Light appeared first on TettyBetty.
]]>“I take my time to find what I feel is the perfect reference for what I need. Sometimes, it can take me hours just to find one. Each piece I create can take me anywhere between 1 to 60 hours depending on details, although I try to keep it minimal as possible,” the artist told in an interview for Bored Panda.
He also revealed that he loved art since he can remember, and he was even part of a graffiti crew when he was younger. However, he got into the pencil-work on winter days when was too cold and dark to spraypaint outside.
“So I started to draw portraits indoors, practicing for around three hours every night after work. I started creating back in the summer of 2013 after not doing any art for 20 years. My passion for drawing and painting keeps forever evolving and that’s what keeps me going,” he said.
To see his mysterious creations, just keep on scrolling!
The post Zulf Draws Portraits Look Like They’re Being Hit by Light appeared first on TettyBetty.
]]>The post Helena Pallarés Sits at a Crossroads Between Collage Art and Illustration appeared first on TettyBetty.
]]>Born in Spain and currently based in Paris, Pallarés borrows techniques from collage art, when composing her illustrations. Using paper cuttings from vintage magazines mixed with pencil drawings and digital finishing touches, the finished product is a hybrid between traditional and contemporary art.
This unique hybrid was born out of trial and error, says Pallarés. “In the beginning I didn’t know what I really wanted to do,” she admitted in an interview with Talenthouse. “So, most of the works that I did at that time were clumsy compositions mixing photo and oil painting.” Jump forward some years later, and her artwork is now featured in international magazines and showcased in exhibitions and art fairs.
According to Pallarés, her work is very much inspired by surrealist art, as well as the Dada movement. “I found Dadaism and Surrealism when I was studying graphic design at the university and somehow that changed my life,” she says. “I was blown away by how Dada artists used the composition, the typography, and the color. It just matched perfectly my way to understand the aesthetic of design and I suddenly found the answer for many questions about the meaning of contemporary art.”
The post Helena Pallarés Sits at a Crossroads Between Collage Art and Illustration appeared first on TettyBetty.
]]>The post These Paintings are Mind-Boggling appeared first on TettyBetty.
]]>“I’m sure you can learn a ton from art school,” she relayed in an interview with Jung Katz, “but it depends on what you want to take from art, and where you want to go with it that should determine whether or not it’s for you. For me, I couldn’t imagine being ‘taught’ art. It’s one of the only free things in this world and I’ve personally gained so much from having the artistic process be 100% my own journey, untainted from outside influence.”
But with both her parents being artists, you could argue that she didn’t have much of a choice. “Art is life,” she puts it, simply. “Art is my breath, my escape, my happy place. Art is my own safe haven in a hectic world. It’s where I go to hide from it all, and is also where I go to enjoy it all.”
Judging by her massive online following (that includes more than 345k fans on Instagram), other people are enjoying her paintings just as well. She has also won several awards for it, and her work is kept in both private and public collections worldwide including the MET’s publication collection. It’s also exhibited worldwide, in galleries and museums.
The post These Paintings are Mind-Boggling appeared first on TettyBetty.
]]>The post Looking For the Perfect Gift? Why Not Commission a Portrait appeared first on TettyBetty.
]]>“I set up About Face Illustration when my daughter was about five months old,” she recalled in an interview with the Printed blog. “Sadly, I didn’t know much about marketing at the time, but I was on Instagram and I was following some other mums. One day, I noticed that one of the mums I followed was looking for an illustrator to paint her and her son, so I volunteered.”
That first illustration proved to be the very beginning of her brand. “Two months later it basically became my full-time job- and 3 years and 500 portraits later, here I am,” says Kwietniewska. Her portraits provide the perfect gifts and mementos for occasions such as weddings, birthdays, and other happy celebrations.
But when it comes to inspiration, Kwietniewska needs only look inside. “Most of my work comes from within really,” she says. “But I am easily inspired, I recently went to the BP Portrait Awards and I all I wanted to do was go home and paint. I also love literature. I adore Nabokov’s Lolita, which I had the pleasure to paint recently. Also, I paint quite a lot from my experience.”
The post Looking For the Perfect Gift? Why Not Commission a Portrait appeared first on TettyBetty.
]]>The post The Uncanny Portraits of Martine Johanna appeared first on TettyBetty.
]]>One feature that makes her paintings stand out is her unique choice of color. Her subjects (mostly women) have a certain sheen to them and they look as though they’re actually glowing from inside. This unique glow also adds a layer of uncanniness to her paintings, making her subjects both familiar and unfamiliar.
“Most of the characters are not airbrush perfect or standard but the color palette makes you feel that they are perfect, so any dark circles under the eyes or intense expressions do not feel negative,” Johanna explained in an interview with The HYDE Magazine.
“I don’t want them to fall flat or be just pretty,” she went on to say. “I want life in them and experiences because that is what makes people interesting, But whatever the viewer feels I feel is completely up to them, although a lot of people feel a connection to these paintings and see something of themselves in them. And it is women and men that feel that connection.”
According to Johanna, her paintings have an emotional quality to them, based on dreams, personal experiences, and personality conflicts between the authentic self, taught mannerism and projected morality. “The work is mostly autobiographic, so a lot of it deals with childhood memories, fascinations and that whole zone between being a kid and growing up and all the emotional turmoil that comes with it,” she notes.
The post The Uncanny Portraits of Martine Johanna appeared first on TettyBetty.
]]>The post Following the Curve of the Road: Ed Fairburn’s Portraits appeared first on TettyBetty.
]]>Employing traditional tools such as ink or pencil, Fairburn intervenes with a range of original maps, spending hours at a time to complete each piece. A lengthy study of each map takes place beforehand, to understand better the landscape at hand.
The choice of maps in and of itself is significant. “I like a map that’s easy to fold away, but I don’t let that influence my choice,” Fairburn explained in an interview with yatzer. “I’ll either source my maps from charity shops or old book shops – we have lots of both here in the UK,” he added. “If I’m working on a specific commission I’ll usually source a map on the internet to make the most suitable choice, in terms of the location.”
When considering a map to work on, he looks at the patterns, orientation, and other characteristics, preferring the more “cluttered” maps, which according to him offer the most scope. In order to appreciate his work, it’s best to view it from afar. Take a step back.
The post Following the Curve of the Road: Ed Fairburn’s Portraits appeared first on TettyBetty.
]]>The post Wangari Mathenge’s Portraits Make a Statement appeared first on TettyBetty.
]]>Like most artists, Mathenge’s creative passion sparked early on, and she first experienced painting in primary school, when her parents enrolled her into an after-school art class. “This was my first experience painting,” she told Art of Choice. “Even though we were outdoors, we painted unobserved landscapes, which generally took the form of rolling hills. Cityscapes and imagined village scenes with huts and market stalls were popular.”
But when she came of age, she never even considered becoming an artist, and as she moved to the US for college she enrolled in Howard University and Georgetown University Law Center, Washington, D.C, studying International Business and Law.
“From childhood, I had been guided to consider as a suitable venture a career in commerce, medicine, engineering or law,” she says. “Working as an artist was never on the table.” But living independently and removed from her family and formative culture gave her the space to look inwards. “Art was a tool that I used to find a connection with space.”
She hasn’t looked back since.
The post Wangari Mathenge’s Portraits Make a Statement appeared first on TettyBetty.
]]>